The verse form ‘The Suicide ‘ is a dramatic soliloquy ; this type of verse form is a go oning subject in ‘Mean Time. ‘ Another of her verse forms, ‘The Captain of the 1964 Top of the signifier squad ‘ for illustration, was besides written in this signifier. The rubric of ‘The Suicide ‘ is rather equivocal in itself- it could be mentioning to the act of self-destruction or so to the character her -or his-self. It is as if the talker is absorbed by the act of suicide – everything that the character has said in the verse form is related to the pickings of one ‘s life, and anything unrelated to the act is wholly disregarded.
Despite all of this, the character is most surely in control of the state of affairs – ‘leave it to me. ‘ In the drama ‘Macbeth ‘ , by William Shakespeare, Lady Macbeth, upon be aftering a slaying herself, remarks ‘Leave all the remainder to me. ‘ In stanza five, Duffy once more relates her verse form to Lady Macbeth ‘s usage of question in the line ‘give me the stickers. ‘ The character states ‘I acquire out the knives ; ‘ knives being plural, about stand foring ritualistic behavior, fixing for decease in a specific mode. The individuals desire for control extends to the metaphor, ‘My organic structure is a clean page I will compose on, ‘ connoting that the decease will be both physical and ocular.
The character is often referred to as being ‘unusual ‘ – Duffy writes ‘Nobody drinks with their whole face, ‘ connoting that cipher is wholly one being- but the persona is- ‘I do. ‘ This links to the verse form ‘Stealing ‘ and the concluding line, ‘You do n’t understand a word I am stating, make you? ‘ It links in the sense that despite everything she has said, the logical thinking behind her desire to stop her life is still a fuzz to the audience. We do non understand ; cipher does – ‘Nobody ‘s ears are confessionals. ‘ It enunciates the complexness of the emotions that the talker endures. Duffy uses a paradox in depicting ‘eyes in the glass, like calamaris ‘ as being ‘sexy ‘ – it is as if the character is talking in contrary.
In the 5th stanza, Duffy
Duffy uses caesura in the verse form often to underscore peculiar words and phrases- in stanza two, the usage of the minor sentence ‘Lies. Blood. ‘ is an illustration of syntax – prevarications are presented before blood, with the intended deduction that lies lead to blood. Throughout the verse form, Duffy presents the talker as being revengeful, utilizing the interrogative ‘get out the knives, ‘ and ‘who wants a bloody valentine. ‘ The latter is rather equivocal ; a actual mention to a blood covered valentine, or figuratively meant in a colloquial, dismissive sense. The usage of linguistic communication and resentment contrasts with the soft, optimistic attitudes of characters from legion other verse forms from Duffy ‘s ‘Mean Time ‘ aggregation, and besides links closely with the romanticized, alone representation of love in ‘Valentine ‘ where an onion, stand foring love, ‘clings to your knife, ‘ but meant in an wholly different construct to ‘The Suicide, ‘ where the lone thing cleaving to her knives would be blood.
In the penultimate stanza, two different, contrasting extremes of emotion are presented ; a dismissive nature, and one typically self-regarding. The usage of the curse ‘Fuck off ‘ is aggressive and revengeful, and clearly expresses the emotions that the character is sing. In contrast to this, ‘Worship ‘ allows for the feelings that the talker wishes to see to be recognised ; she wants to be worshipped, she wants to at least derive some acknowledgment. She states that ‘This will kill my folks ‘ , which, associating back to stanza five, contrasts with her stating ‘Utterly selfless. ‘ She sees the act as being unselfish, nevertheless recognises the hurting that it is traveling to do her parents. It besides represents the sarcasm of the state of affairs ; her blunt statement shows that she knows that her parents will be broken by her self-destruction, but irrespective of this, she appears to continue with the act ; she has no will to populate, and sees suicide as the easy manner out, conveying the harm that the character feels. The act will literally kill her, and figuratively kill her parents. In stanza two, Duffy uses repeat of the words ‘Never ne’er ne’er ne’er plenty, ‘ a phrase that is slightly repeating of the mood- it shows the craze behind the state of affairs, and how, no affair what happens, she will ne’er be satisfied with her life the manner things are traveling.