In Toni Morrison ‘s fresh Sula, many characters fall victim to specifying themselves harmonizing to what society dictates that they should be. The adult females in this novel are expected to play the portion of submissive married woman, female parent, and housewife and to happen individuality and personal fulfilment through these things. There is one character in the text, nevertheless, who rebels against societal norms and chooses to follow her ain way. This character is Sula, a adult female who bit by bit rejects societal conformance in exchange for the chance to develop herself into the individual that she chooses to be instead than the adult female society expects her to be. Within the text, Sula sparks contention and receives favoritism because of her daring and individualism. However, Sula pig-headedly stands strong throughout the text and remains unaffected in the face of this contention. By arising against the subjugation of her society, Sula is able to develop an individuality that she can name her ain. Though she does pay a societal monetary value for this individuality, the integrity that she is able to accomplish is good worth the cost, and in the terminal it is this integrity that allows her both to encompass decease and to decease attractively and painlessly.
One thing that Morrison does in this text is to make attractively complicated characters such as Sula. One of the things that is intriguing to me about Sula ‘s character is the manner that, as the storyteller explains, “ She merely helped others define themselves ” ( 95 ) .A I love the manner that the community ‘s disgust and bitterness towards her really helps them to act better and to go better people. A I think that it is frequently the instance in life, as it is in Sula, that we can merely specify and redefine ourselves by acknowledging an “ other. “ A When we can place this “ other, ” merely so can we get down to acknowledge ourselves by manner of comparison.A By labeling Sula as immorality, the people in “ The Bottom ” can, in contrast, define themselves as being “ non evil ” , and hence good. Besides, by specifying Sula as the “ other ” and in bend the foreigner, the community becomes more united. A They find something that they can hold upon ; they are brought closer to one another by manner of their corporate and collaborative disfavor of Sula.
I think that Morrison does something really specific and profound with this “ other ” function that Sula plays in the text. The reader can really clearly observe the manner that this foreigner becomes the most of import figure in the narrative merely because the other characters grow, develop, and larn in relation to her.A Besides an foreigner in Sula is another really complex character named Shadrack, who works in similar ways in the text by taking the remainder of the community to come together in their talk of him, to come together because of him, merely to seek and calculate him out or to gossip.A Interestingly, Sula is one of the lone people in the text that Shadrack of all time acknowledges.A Possibly this is exactly because they do hold this functioning function as “ other ” in common.A Not surprisingly, nevertheless, the two ne’er bond in any important way.A To make this would most likely ruin the moral force of single vs. community that exists and remains so critical to the text.
Additionally, something that I found rather interesting was the markers on Sula that Morrison used in order to show her originality and “ otherness ” from the other characters in the text. The storyteller describes Sula and her nevus in the undermentioned transition ; “ Sula was a heavy brown with big quiet eyes, one of which featured a nevus that spread from the center of the lid toward the supercilium, shaped something like a stemmed rose ” ( 52 ) . Sula ‘s nevus seems to straight function the intent of puting Sula apart from all the other characters. As Sula grows older, and at the same time grows emotionally stronger and more independent, her nevus mirrors this growing by “ acquiring darker and [ looking ] more and more like a root and rose ” ( 74 ) . This nevus truly works throughout the text to portray Sula ‘s interior strength and development. As the nevus grows darker and more noticeable, she individualizes herself from society more and more.
I besides find it interesting that Sula intentionally separates herself from society by really brazenly arising against societal norms. In fact, Sula wholly shuns societal norms and outlooks in order to be true to herself and to farther develop her ain individuality. Alternatively of staying in the Bottom and settling down with a hubby and kids as was expected of a adult female of her age at that clip, Sula decides to go forth and to travel to college and to make some going alternatively. When Sula returns to the Bottom ten old ages subsequently, it is during a conversation with Eva that Sula ‘s rebellion toward societal outlooks truly becomes evident. During this conversation Eva asks Sula “ When you gone to acquire married? You need to hold some babes. It ‘ll settle you, ” to which Sula indignantly responds, “ I do n’t desire to do person else. I want to do myself ” ( 92 ) . Eva ‘s response to Sula ‘s statement echoes the feelings that most of society had at that clip. Eva says “ Selfish. Ai n’t no adult female got no concern floatin ‘ around without no adult male ” ( 92 ) . With this statement Morrison does such an effectual occupation of showing the conflict that adult females like Sula were up against at that clip and that many adult females, irrespective of colour or race, still fight against today. Alternatively of being praised for her strength and independency as a adult female, Sula is called selfish and judged harshly by a society filled with adult females who have compromised their ain individualities. These same adult females dislike the fact that any adult female might be able to populate the life of personal freedom that they are excessively scared and/or weak to contend for yet in secret desire.
Another thing that I find peculiarly interesting in this text is the thought of love in footings of how it is presented, explored, and played out amongst the characters.A I think that Morrison decidedly plays with the thought of love by showing character ‘s who most decidedly do love others, but who demonstrate this human emotion in really untraditional ways. By demoing these “ option ” ways to demo and cover with love, Morrison demonstrates that this really cosmopolitan human component can non be narrowly defined and/or put in a box.A There are many ways of loving, and there are many people who love highly otherwise from one another.A The reader is presented with somewhat of a challenge in this text ; we are asked to research Eva ‘s, Sula ‘s, Hannah ‘s, Nel ‘s, and other character ‘s actions, and to admit that even though these people do some things that seem awful, each of them does portray and/or convey love in one manner or another.A I think that it is easy for the reader of this text to really rapidly judge the character ‘s actions as “ non loving ” and/or non based in love.A It is harder to step back, nevertheless, and to truly open up the head adequate to accept that, for illustration, someplace behind Eva ‘s purpose to slay her boy was a really loving, sacrificial, maternal intention.A The reader must be willing to research new options and positions in order to to the full appreciate all of the different possible readings and motives of and in the love relationships in this text.
In general, I love the manner that Morrison uses her text to research so many complicated, emotional, and hard issues. I besides appreciate the character of Sula, who works to stand for a adult female who takes the clip to see her ain significance, her ain worth, and her ain desires. Sula is a character who truly embraces herself and seems to recognize the power of having one ‘s ain psyche and being in charge of one ‘s ain fate. I think that this is a great subject to research within a text and I believe that, through this text, Morrison does a fabulously interesting and capturing occupation of showing this thought of strength in ego, every bit good as the thought of multi-faceted love, and that every reader will larn something from prosecuting him or herself with this work.