“ The Chrysanthemums ” by John Steinbeck addresses the subject of adult females ‘s subjugation. He used Elisa Allen as a perfect illustration by doing the work forces overlook her love of the chrysanthemums, which was her life. In “ The Chrysanthemums ” , Steinbeck used symbols, minor characters, and the chief character, Elisa Allen, to show adult females ‘s subjugation and their limited options in the universe, due to the fact that adult females were frequently non appreciated.
Throughout the narrative, Steinbeck used many symbols to reenforce the fact that Elisa was populating in a limited universe. In the beginning, the vale she lives in is described as holding fog “ on every side it sat like a palpebra on the mountains and made of the great vale a closed pot. ” ( 411 ) . It set the temper of solitariness and about smothering-like manipulated Elisa to experience as if she was entirely. Another symbol was after Elisa met the tinker. She had inappropriate ideas about him and went to take a shower. In the shower she scrubbed her full organic structure with a piece of pumice rock to cleanse herself, for she felt as if she was soiled. This is where she changes and makes an attempt to look good and delight her hubby. But the alteration in assurance does non last long. When the tinker was at Elisa ‘s house, she gave him a pot of chrysanthemum sprouts. These chrysanthemums symbolized her. The tinker accepted a bantam portion of her character that her hubby ne’er had and took it with him. However, when she saw the flowers dumped on the side of the route, she felt as if he had dumped her. She thought that no adult male would of all time be pleased with her, so Elisa automatically fell back to her romp ego.
Steinbeck besides used the minor characters ‘ consequence on Elisa to show that adult females had few options. Henry Allen, Elisa ‘s hubby, was ever stating the incorrect thing. Right after he said her flowers were large, he said “ I wish you ‘d work out in the grove and raise some apples that large. ” ( 412 ) . By stating this, Elisa realizes he thinks she is blowing clip turning flowers, which are her life, when it could be spent turning something that he could sell, like apples. Then the tinker comes along and really asks about and takes involvement in the flowers. Even though it is merely to recapture her attending, she felt thrilled. Her hubby ne’er showed any involvement in her flowers and here is a alien sounding interested and sensitive by desiring to cognize what it looked like, inquiring “ Looks like a speedy whiff of coloured fume? ” ( 414 ) . She gives him some flowers believing he will give them to the lady that will appreciate them, but he, merely like her hubby, thinks they are worthless and ends up throwing them out.
The minor characters and puting may hold slightly limited Elisa, but some of her restrictions were self-inflicted. She starts out have oning bulky, romp vesture that covers her organic structure and hides her figure. She besides wears “ aˆ¦a adult male ‘s black chapeau pulled low down over her eyesaˆ¦ ” ( 411 ) . Elisa continually hides in her ain garden, fenced in her ain small universe, with her chrysanthemums. Even her hubby does non come in. By remaining in her country by herself, she cuts herself off from the remainder of the universe. When the tinker comes, she is attracted to him because he asked about her flowers. Elisa “ tore off the battered chapeau and shook out her dark pretty hair. ” ( 414 ) , takes off her baseball mitts, and lets him in the gate. By making this, she is allowing her guard down, allowing him in, and stepping out of her safety zone. After he leaves, she had a new assurance in herself. By dressing up for the dark out, she is get downing over and portraying her new ego. Then she sees the dumped chrysanthemums on the side of the route and realizes that the mind was non interested in her at all. Alternatively of utilizing this letdown to go stronger, she resorts back to her tomboy personality.
By give uping back to her old ego, Elisa becomes a perfect illustration of adult females ‘s subjugation. She tried altering her confining universe, but her confident new ego was destroyed. Steinbeck made this clear by utilizing symbols, minor characters, and the chief character. His narrative influences readers to believe about the small options adult females had, and if work forces would hold appreciated adult females a bit more possibly the chrysanthemums would hold lived.