The Victorian epoch. with its intriguing societal conventions and categories. can non compare to show twenty-four hours America. with music and pop civilization ruling the amusement scene and authorities functionaries acquiring into publicized dirts. Victorian literature was by and large compliant with societal imposts. with beautiful. reserved female supporters who abide by patriarchate and hierarchy. The novels themselves were long. with multiple subplots and legion characters. Charlotte Bronte’s Jane Eyre. nevertheless. had a strong-minded anti-heroine chief character that did non follow with societal imposts. Features of anti-heroes and heroines are definite human defects. non ever believing about what the moral action is. and rejection of traditional values. Jane Eyre is considered the anti-heroine because she defies the patriarchate and the societal hierarchy in Victorian Society. every bit good as keeping her liberty. Her relationships with the four anti-heroes. St. John Rivers. John Reed. Mr. Brocklehurst. and Mr. Rochester. aid knock Victorian literary convention because they do non ever do the morally right actions.
Therefore. with her straightforward address and idiosyncrasies. Jane Eyre defies patriarchate and societal hierarchy and maintains her liberty. going a premier illustration of an anti-heroine. As a kid Jane defies patriarchy when she does non subject to Brocklehurst and as an grownup stands up to Rochester. both picks based on her developing set of moral codifications. non out of necessity. When Jane foremost officially meets Rochester in the drawing room. she knows he is of higher category and her employer. yet she jests with him. admiting that “the work forces in green all forsook England a hundred old ages ago. ” in a serious tone ( Bronte – 124 ) . She does non follow the criterion for immature adult females on the clip. challenging Rochester along with remaining independent.
Jane maintains her liberty by get marrieding Rochester when she is non emotionally or financially dependent on him. Populating off from Rochester brought her a luck to prolong her for the remainder of her life and taught her that she can last off from him without aching and being suffering. During the 2nd proposal scene. after Jane returns to Rochester. Jane is certain of Rochester’s love for her. and asked him to “push [ her ] off. for [ she’ll ] non go forth [ him ] of her ain agreement. ” since Rochester is non certain of his ability to maintain Jane ( Bronte – 451 ) . Jane marries for love and births Rochester’s kid. but has kept her liberty and sense of ego throughout the ordeals.
Similarly. Mr. Rochester and John Reed are considered anti-heroes because they are both morally corrupt and unable to do proper determinations. Rochester tries to get married Jane while married to an insane adult female and lovingness for the kid of his Gallic kept woman. the kid which may or may non be his. Rochester comes clean in “an unfastened admittance of truth. ” admiting that he is already married non because he feels guilty for lying to her. but because a reverend reveals the truth to Jane foremost ( Bronte – 300 ) . John Reed mistreated Jane as a kid. in add-on to gaming and perpetrating self-destruction one time he grew older. He “gave himself up to strange ways. ” inquiring his female parent to give up her staying luck to fund his dependences and relieve debts without shame or apprehension that she needed money to populate off of ( Bronte – 224 ) . Both work forces act childishly without attention for other’s feelings. but unlike John Reed. Rochester. under Jane’s counsel. may finally follow a better set of ethical motives.
In add-on. Mr. Brocklehurst and St. John Rivers are both about fanatically spiritual anti-heroes and seek to command Jane’s picks utilizing faith. Mr. Brocklehurst controls the orphans at Lowood. practising patriarchate and informing the misss that they will non acquire into heaven if they disobey or disagree with him. He tells Jane that “ [ she ] has a wicked bosom and must pray to God to alter it. ” taking to frighten her into entry. while puting a dual criterion for himself. leting Brocklehurst to steal money from his school without shame ( Bronte – 33 ) . Jane feels morally obligated to get married St. John and emotionally obligated to get married Rochester. but knows the right pick is to get married St. John. She finally decides that even though “ [ she ] can conceive of the possibility of gestating an inevitable. strange. tormenting sort of love for [ St. John ] . ” Jane can non openly love and be happy with him. since he would non accept her feelings ( Bronte – 423 ) . However. unlike Brocklehurst. St. John does non deceive Jane and is steadfastly true with her.
Therefore. the thought of anti-heroes and anti-heroines defy Victorian literary convention because the characters have excessively many mistakes and reject societal imposts. Jane is excessively straightforward in her address and manners. Rochester is morally deprived and really blunt. and St. John proposes to Jane. cognizing that they will both decease in India if she agrees. Brocklehurst steals money from his school while flashing a philosophy of self-deprivation and John Reed wants to waste away his mother’s staying financess. The characters are non molded into handsome. reserved. good-natured figures. doing the fresh much more interesting and gratifying for readers.
Bronte. Charlotte. Charlotte Bronte: The Complete Novels. New York: Gramercy. Books. 1975. Print.