Influence Of Movies To Society Film Studies Essay

This essay gives a brief history of how films were developed in the first topographic point. This non merely gives a spot of experience of how the films were developed, but besides the intent of doing the film itself. Many people begin to reason that films are positive or negative to the society for assorted grounds. Nowadays, there are more sums of people who go against films, as they largely fear of common jobs, such as kids holding a opportunity of trying to do hazardous actions from what they have watched from “ action and escapade ” sort of films.

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The job about their opinion of the influence of films to the society is that some of them do non believe about the genres, as this gives a big difference in the influence to the individual ‘s reaction. For illustration, another sort of genre would be documental. As they give cognition about the nature and world, it is considered to be helpful and if better, change their personalities and their point of position. So that means other genres like action and escapade films are non considered to be helpful and are none other than scenes filled with force which may pique the audience, is n’t it?

Even if the specific genre is non a type for educational intent, it does n’t needfully intend that they are useless or violent to kids. As by and large everyone knows: all films have a plot line, no affair what manner it is, merely like a book. And because of that, most of the plot line leaves a message for the audience. But is that it?

Other than United States, there are others that are seeking to do films about their ain civilizations. Chinese films are one of the most well-known for soldierly humanistic disciplines and their histories. There are besides managers who sometimes want to do films from true state of affairss that they have experienced, so that audience who watches them will be able to larn from these state of affairss. Since the subject itself is wide, I ‘ll be concentrating on my ain personal state, Korea. Not merely that I could be able to portion the history and admit the advantages that people gain benefit from them, but besides learn the Korean history and admit them for myself.

1. Introduction – What is film?

To be alive is “ being moved ” . To be dead is “ being still ” . We say “ The Sea is alive ” peculiarly because of the moving ridges. There are fish around in the sea. When we look at babes, they usually react to something or person traveling. Man is an animate being of wonder. We all get interested in something new and/or alive. Movies can demo us a new universe which we can conceive of. My survey on films starts here. A film, besides called a movie or gesture image is a sort of living/ multi-complex art, which most of people like.

A film is a narrative that is communicated with inspiring images. “ It is produced by entering photographic images with cameras, or by making images utilizing life techniques or ocular effects. ” The procedure of filmmaking has developed into an art signifier and industry. Peoples in the United States call it film, while in Europe they call it movie. There are other footings that others call it, including the large screen, the Ag screen, the film and the films.

The history of films comes with the historical development of the medium. The history of films spans over a hundred old ages, from the late nineteenth century to the present twenty-four hours. Movies were developed so good it evolved from originative invention to one of the most of import tools of communicating and amusement, mass media in the twentieth century to 21st century. Movies became extremely compatible with humanistic disciplines, engineering, and political relations.

Human being is an animate being of communicating. We talk, we see, we hear, we smell and we touch/ experience the others. Besides we are a animal who can bask amusement. Movie is one of the most powerful communicating tools we have of all time developed so far. Movie has started as a moving image. And now it is non merely an amusement, but it is a Centre of civilization. Movies influence us on every life style. We see other linguistic communications, life styles, apparels, instruments, houses, roads, edifices and landscapes, we hear other vocals and sounds, we learn other ideas and doctrines, and we feel other emotions on the film than what we used to. Movies can offer a batch of different and diverse experiences to people – something good and bad.

2. History of films

If we go through the history of films, we will gain that film itself is a history. The accomplishments, narratives and contents have been developed / changed in conformity with our history. Political, economic, societal and ideological state of affairs influence the films and in return the films influence our day-to-day lives.

2.1. Birth of Movie

The Gallic Lumiere brothers, Louis and Auguste gave their first show of projected gesture images to an audience on December 28, 1895. Their first public showing of movies at which admittance was charged was held at Salon Indien du Grand Cafe in Paris. This history-making presentation featured 10 short movies, including their first movie, Sortie des Usines Lumiere a Lyon ( Workers Leaving the Lumiere Factory ) . Each movie is 17 metres long, which, when manus cranked through a projector, runs about 50 seconds. It was the well-known first films which means that movie changed from a simple pioneer to a commercial merchandise.

The moving images had an immediate and important influence on popular civilization with L’Arrivee d’un Train en Gare de la Ciotat ( Arrival of a Train at a Station ) and Carmaux, defournage du coke ( Pulling out the coke ) . It is said that the witnesss who had looked on at ‘Arrival of a Train at a Station ‘ ran off as they had felt the train came across them.

2.2. The soundless epoch ( 1895 – 1925 )

Uniting the image with synchronal sound was non possible for discoverers and manufacturers, since no such practical method was devised until 1923. For the first 30 old ages, they were soundless, except accompanied by unrecorded instrumentalists with possible sound effects. Even commentaries were spoken by the showman or projectionist.

2.3. The sound epoch ( The epoch of speaking images, or talking pictures 1926 – )

Warner Bros. Hollywood studio introduced a new system called “ Vitaphone ” in 1926. It produces short movies of unrecorded amusement Acts of the Apostless and public figures. Recorded sound effects and orchestral tonss were able to be added to some of its major characteristics. During late 1927, Charles dudley warners released The Jazz Singer. It was largely soundless but contained what is by and large known for the first synchronized duologue ( and singing ) in a characteristic movie.

2.3.1. Industrial impact of sound

During the late 1929, Hollywood was filled with competition, including sound systems. Nevertheless, entire conversion in the universe overall, was somewhat slower, chiefly for economic grounds.

This state of affairs was known as or called “ The Golden Age of Hollywood ” , which approximately refers to 1926, when sound was introduced until the late fortiess. During that clip, the American film successfully manufactured glamors and planetary entreaty. The top histrions of the epoch were thought of as the authoritative film stars. Some of them were Clark Gable, Katharine Hepburn, Humphrey Bogart, Greta Garbo, and Shirley Temple, the greatest box office draw of the child performing artist in 1930s.

Sound movies developed and benefited more assortment of genres than soundless movies. One of them was the musical movie. The first classic-style Hollywood musical was The Broadway Melody ( 1929 ) . The first major Godhead in choreographer and manager was Busby Berkeley ( 42nd Street, 1933, Dames, 1934 ) . In France, Rene Clair the daring manager made assorted utilizations of vocals and dances particularly in comedies. Some of them were “ Under the Roofs of Paris ” ( 1930 ) and “ Le Million ” ( 1931 ) . Universal Pictures began let go ofing horror movies, such as “ Dracula ” and ” Frankenstein ” ( both 1931 ) . In 1933, RKO released Merian C. Cooper ‘s well-known ‘giant monster ‘ movie “ King Kong ” .

Other popular movies were American mobster movies like “ Small Caesar ” and “ Wellman ‘s The Public Enemy ” ( both 1931 ) . Dialogue took precedency over “ slapstick ” in Hollywood comedies: “ The Front Page ” ( 1931 ) or “ It Happened One Night ” ( 1934 ) , the sexual dual entrendres of Mae West ( She Done Him Wrong, 1933 ) or the rebellious helter-skelter bunk of the Marx Brothers ( Duck Soup, 1933 ) . Walt Disney, who was antecedently in the short sketch concern, triggered the first English-speaking lifes. One of them was “ Snow White and the Seven Dwarves ” , released by RKO Pictures in 1937. In 1939, American film brought popular movies, like “ The Wizard of Oz ” and “ Gone with The Wind ” .

2.3.2. War and post-war: nationalism and propaganda ( 1940s )

The desire for wartime propaganda created a Renaissance in the movie industry in Britain, with realistic war play like 49th Parallel ( 1941 ) , Went the Day Well? ( 1942 ) , The Way Ahead ( 1944 ) and Noel Coward and David Lean ‘s famed naval movie In Which We Serve in 1942, which won a particular Academy Award.

The oncoming of US engagement in World War II besides brought a proliferation of films as both nationalism and propaganda. American propaganda films included Desperate Journey, Mrs Miniver, Forever and a Day and Objective Burma. Noteworthy American movies from the war old ages include the anti-Nazi Watch on the Rhine ( 1943 ) , scripted by Dashiell Hammett ; Shadow of a Doubt ( 1943 ) , Hitchcock ‘s way of a book by Thornton Wilder ; the George M. Cohan biopic, Yankee Doodle Dandy ( 1942 ) , starring James Cagney, and the vastly popular Casablanca, with Humphrey Bogart.

2.3.3. Era of cold war and debut of telecasting ( 1950s )

The Cold War epoch Zeitgeist translated into a type of near-paranoia manifested in subjects such as occupying ground forcess of evil foreigners, ( Invasion of the Body Snatchers, The War of the Worlds ) ; and communist 5th editorialists, ( The Manchurian Candidate ) . During the immediate post-war old ages the cinematic industry was besides threatened by telecasting, and the increasing popularity of the medium meant that some film theaters would ruin and shut. Some of the most successful illustrations of the spectaculars include The Ten Commandments ( 1956 ) , The Vikings ( 1958 ) , Ben-Hur ( 1959 ) , Spartacus ( 1960 ) and El Cid ( 1961 ) . Besides during this period a figure of other important movies were produced in Todd-AO, developed by Mike Todd shortly before his decease, including Oklahoma! ( 1955 ) , Around the World in 80 Dayss ( 1956 ) , South Pacific ( 1958 ) and Cleopatra ( 1963 ) plus many more.

2.3.4. 1960s

During the 1960s the studio system in Hollywood declined, because many movies were now being made on location in other states, or utilizing studio installations abroad, such as Pinewood in the UK and Cinecitta in Rome. “ Hollywood ” films were still mostly aimed at household audiences, and it was frequently the more antique movies that produced the studios ‘ biggest successes. Productions like Mary Poppins ( 1964 ) , My Fair Lady ( 1964 ) and The Sound of Music ( 1965 ) were among the biggest money-makers of the decennary. Further, the atomic paranoia of the age, and the menace of an revelatory atomic exchange ( like the 1962 close-call with the USSR during the Cuban missile crisis ) prompted a reaction within the movie community every bit good. Movies like Stanley Kubrick ‘s Dr Strangelove and Fail Safe with Henry Fonda were produced in a Hollywood that was one time known for its open nationalism and wartime propaganda.

In documental movie the 1960ss saw the flowering of Direct Cinema, an experimental manner of movie devising every bit good as the coming of more overtly partizan movies like In the Year of the Pig about the Vietnam War by Emile de Antonio.

2.3.5. The ‘New Hollywood ‘ – Post-classical film ( 1970s )

The New Hollywood ‘ and ‘post-classical film ‘ are footings used to depict the period following the diminution of the studio system during the 1950s and 1960s and the terminal of the production codification. During the 1970s, film makers progressively depicted expressed sexual content and showed gunplay and conflict scenes that included in writing images of bloody deceases.

During the 1970s, a new group of American film makers emerged, such as Martin Scorsese, Francis Ford Coppola, Roman Polanski, Steven Spielberg, George Lucas and Brian De Palma. The development of the auteur manner of filmmaking helped to give these managers far greater control over their undertakings than would hold been possible in earlier epoch. This led to some great critical and commercial successes, like Scorsese ‘s Taxi Driver, Coppola ‘s The Godfather movies, Polanski ‘s Chinatown, Spielberg ‘s Jaws and Close Encounters of the Third Kind and George Lucas ‘s Star Wars. The phenomenal success in the 1970s of Jaws and Star Wars in peculiar, led to the rise of the modern “ blockbuster ” . Hollywood studios progressively focused on bring forthing a smaller figure of really big budget movies with monolithic selling and promotional runs.

2.3.6. Sequels, blockbusters and videotape ( 1980s )

During the 1980s, audiences began progressively watching films on their place VCRs. In the early portion of that decennary, the film studios tried legal action to censor place ownership of VCRs as a misdemeanor of right of first publication, which proved unsuccessful. Finally, the sale and lease of films on place picture became a important “ 2nd locale ” for exhibition of movies, and an extra beginning of gross for the film companies. The Lucas-Spielberg combine would rule “ Hollywood ” film for much of the 1980s, and take to much imitation. Two follow-ups to Star Wars, three to Jaws, and three Indiana Jones movies helped to do subsequences of successful movies more of an outlook than of all time before. Lucas besides launched THX Ltd, a division of Lucasfilm in 1982, while Spielberg enjoyed one of the decennary ‘s greatest successes in E.T. the same twelvemonth. 1982 besides saw the release of Disney ‘s Tron. This was one of the first movies from a major studio to utilize computing machine artworks extensively.

2.3.7. 1990s

The early 1990s saw the development of a commercially successful independent film in the United States. Although film was progressively dominated by special-effects movies such as Terminator 2: Judgment Day ( 1991 ) , Jurassic Park ( 1993 ) and Titanic ( 1997 ) , independent movies like Steven Soderbergh ‘s sex, lies, and videotape ( 1989 ) and Quentin Tarantino ‘s Reservoir Dogs ( 1992 ) had important commercial success both at the film and on place picture.

Animated movies aimed at household audiences besides regained their popularity, with Disney ‘s Beauty and the Beast ( 1991 ) , Aladdin ( 1992 ) , and The Lion King ( 1994 ) . During 1995 the first characteristic length computer-animated characteristic, Toy Story, was produced by Pixar Animation Studios and released by Disney. After the success of Toy Story, computing machine life would turn to go the dominant technique for characteristic length life, which would let viing movie companies such as Dreamworks Animation and twentieth Century Fox to efficaciously vie with Disney with successful movies of their ain. During the late 1990s, another cinematic passage began, from physical movie stock to digital film engineering. Meanwhile DVDs became the new criterion for consumer picture, replacing VHS tapes.

2.3.8. twenty-first Century – globalisation and 3D films

There has been an increasing globalisation of film during this decennary, with foreign-language movies deriving popularity in English-speaking markets. Examples of such movies include Crouching Tiger, Hidden Dragon ( Mandarin ) , Amelie ( French ) , Lagaan ( Hindi ) , Spirited Away ( Nipponese ) , City of God ( Portuguese ) , The Passion of the Christ ( Aramaic ) , Apocalypto ( Mayan ) , Slumdog Millionaire ( a tierce in Hindi ) , and Black Basterds ( multiple linguistic communications ) . There has been a resurgence in 3D movie popularity the first being James Cameron ‘s Ghosts of the Abyss which was released as the first full-length 3-D IMAX characteristic filmed with the Reality Camera System.

As of 2010, 3D films are deriving increasing popularity. After James Cameron ‘s 3D film Avatar became the highest-grossing movie of all clip, many other films have followed suit and been released in 3D, with the best critical and fiscal successes being in the field of characteristic movie life such as DreamWorks Animation ‘s How To Train Your Dragon and Walt Disney Pictures/Pixar ‘s Toy Story 3.

3. The Korean films

Recently the Korean authorities office placed an order to the dept. of civilization that ‘ Movie industry is chiefly controlled by a few large capitals. Therefore we need to command those capitals to back up doing more films that are ideologically more right-hand side ‘ . This is an illustration to demo us that how films can act upon on people and how some authoritiess want to take usage of films for their political intents.

In 2011 Director Hwang Dong-Hyeok made a film, The Crucible ( Korean name: Dogani ) which is based on the novel of the same name by Gong Ji-young, starring Gong Yoo and Jung Yoo-mi. It is based on true events which took topographic point at GwangjuInhwa School for the hard-of-hearing, where immature deaf pupils were the victims of repeated sexual assaults by module members over a period of five old ages in the early 2000s. as it was pathetic that both offenses and the tribunal proceedings let the instructors off with a mere minimum penalty, the movie made an intense noticeable release in September 2011, which caused to reopen the probes of these incidents. Over 4 million people in Korea watched this movie, leting the demand for legislative reform to make all the manner to the National Assembly, where a revised measure, dubbed the Dogani Bill, was passed in late October 2011 to get rid of the legislative act of restrictions for sex offenses against bush leagues and the handicapped.

As we have gone through the universe film history, the films are a merchandise of history and they are so influential to the people. It is non merely an amusement, but besides a strong mass-communication tool and go a Centre of civilization.

3.1. Development of Movies in Korea

Korea ‘s modern history has been really tough. Chosun dynasty ( the last Korean emperor ) was conquered by Japan in 1910 and since so Korea was under Nipponese settlement until 1945. After independency, there was a civil war from 1950 to 1953 for three old ages and divided into two states – North and South. During the cold war after the WW2 in the universe, Korea was in the most serious and terrible state of affairs. It was a calamity as the authoritiess ever take usage of this political and ideological state of affairs for their administration. All the democratic freedom of address, thought and wrestling have been exhaustively restricted under the name of political orientation. Nevertheless, Korean people have been spread outing their freedom with their dynamic characters and this is the same in films.

3.1.1. Beginning of films ( – 1926 )

Harmonizing to the October 19, 1897 issue of The Times, “ Gesture images have eventually been introduced into Chosun, a state located in the Far East. At the beginning of October 1897 gesture images were screened for the populace in Jingogae, Bukchon, in a shabby barrack that was borrowed from its Chinese proprietor for three yearss. The plants screened included short movies and actuality movies produced by France ‘s Pathe Pictures ” .

Korea ‘s first film theater, Dongdaemun Motion Picture Studio, was opened in 1903.The Dansung-sa Theatre opened in Seoul in November 1907.Not simply a theatre-operator, as the first movie manufacturer in Korea, Dansung-sa ‘s proprietor, Pak Sung-pil, took an active portion in back uping early Korean film. He financed the first Korean domestic movie, Loyal Revenge ( Korean: Uirijeok Guto ) , every bit good as the first Korean docudrama movie, Scenes of Kyongsong City and showed both at his theater on October 27, 1919. Uirijeok Guto was used as a Kino play, a unrecorded theatrical production against the background of movie projected on phase. Some name a cinematography of Chunhyang-Jeon in 1921 ( released in 1922 ) as the first Korean characteristic movie. The traditional narrative, Chunhyang, was to go Korea ‘s most-filmed narrative subsequently. It was perchance the first Korean characteristic movie, and was surely the first Korean sound movie, coloring material movie and widescreen movie. Im Kwon-taek ‘s 2000 Pansori version of Chunhyang brought the figure of movies based on Chunyang.

3.1.2. The soundless epoch ( 1926 – 1935 )

Korean movie studios at this clip were Japanese-operated. A hat-merchant known as Yodo Orajo established a movie company called Choson Kinema Productions. After looking in the Choson Kinema ‘s 1926 production Nongjungjo, the immature histrion Na Woon-gyu got the opportunity to compose, direct and star in his ain movie. The release of Na ‘s movie, Arirang ( 1926 ) is by and large considered the start of the epoch of soundless movie in Korea and this has shown the power of film as it influenced the down Korean people to acknowledge their nationality. Another of import manager of this period, Shim Hun, directed merely one movie, Mondongi Tultte ( At Daybreak ) . Though the reappraisal for this movie were every bit strong as those for Arirang, Shim died at the age of 35 while directing his 2nd movie, based on his ain novel, Sangroksu ( The Evergreens ) . The novel was subsequently filmed by manager Shin Sang-ok in 1961 and by Im Kwon-taek in 1978.

The first half of the 1930s saw a diminution in the domestic movie industry in Korea. Due mostly to censoring and subjugation from the busying governments, the figure of movies produced at this clip dropped down to merely two or three per twelvemonth, and some film makers fled Korea for the more robust movie industry in Shanghai at this clip. Possibly the most of import movie of this epoch is Imjaeobtneun naleutbae ( Ferryboat with no Ferryman ) ( 1932 ) , directed by Lee Gyu-hwan ( 1904-1981 ) , and starring Na Woon-gyu. Because of increasing governmental censoring, this has been called the last pre-liberation movie to show a important chauvinistic message.

3.1.3. Early sound epoch ( 1935 – 1945 )

Korea ‘s first sound movie was Lee Myeong-woo ‘s 1935 Chunhyang-jeon. The sound technique was reportedly hapless, but Korean audiences appreciated hearing their ain linguistic communication in the film. The figure of movies produced increased during the latter portion of the decennary. Na Woon-gyu began doing a larger figure of movies once more with important plants like Kanggeonneo maeul ( 1935 ) , and Oh Mong-nyeo ( 1937 ) , before his premature decease in 1937.

Sound movies in Korea faced much harsher censoring from the Nipponese government-General than did the silent movies before them. Besides, the loss of the byeonsa ( storytellers ) with the coming of sound movie meant that anti-authority messages could no longer be sneaked around the censors in this manner. The screenings of American and European movies decreased, and were replaced by Nipponese movies. Korean-made movies became a propaganda tool for the authorities of the Nipponese business. Get downing in 1938, all film-making in Korea was done by the Japanese, and by 1942 the usage of Korean linguistic communication in movie was banned.

3.1.4. Divided Korea – South Korea

3.1.4.1. 1945 ( independency ) – 1955

With the resignation of Japan in 1945, Korean cinema enjoyed a explosion of liberty-and autonomy itself, intelligibly, became the major subject of movies at this clip. Choi In-gyu ‘s Viva Freedom! ( Korean: Jayu mansion! ) , about Korean freedom-fighters during the waning yearss of the colonial period, is considered the major movie of this epoch.

During the Korean War, movie production slowed ; merely five or six movies were produced each twelvemonth from 1950 to 1953.

3.1.4.2. Golden epoch of Korean films ( 1955 – 1972 )

The quality and measure of Korean films had increased dramatically this period. 15 movies in 1955, 30 in 1956, 37 in 1957, 74 in 1958 and became 111 movies in 1959. The most celebrated films were Chunhyang-Jeon ( Lee Gyu-hwan 1955 ) and Free dame ( Han Hyung-mo 1959 ) . Chunhyang-Jeon is based on Korean authoritative narrative, while Free dame is wholly flooring against the Korean traditional manner of thought. Director Lee Kyu-hwan successfully remade Chunhyang-jeon in 1955. Within two months 10 % of Seoul ‘s population-over 200,000 people had seen the film, giving the re-establishment of the movie industry farther impetus. The film viewing audiences became more than 170,000,000 people per twelvemonth in 1960s. There were many different genres as good – Young love films, Comedy films and Action thriller films.

3.1.4.3. Dark epoch of Korean films ( 1973 – 1979 )

This clip period can besides be called as ‘the winter of the 60 old ages in Korean movie ‘ . This was due to the fact that South Korean had a really autocratic political system that was led by Park Chung-hee. His plan of Yusin Restoration ( Regenerating Reforms ) caused Korea Cinema to come into a depression period with subjugation through censoring. Because the authorities feared that film would interrupt the good gustatory sensation or imposts, harm the pride and self-respect of South Korea, congratulations or back up North Korea and Communism, or knock the political and authorities political relations, film makers were wary of this censoring and they were non allowed to bring forth movies that they wanted. Writing in 1981, the International Film Guide said of South Korean film, “ No state has a stricter codification of movie censoring than South Korea — with the possible exclusion of the North Koreans and some other Communist axis states. ” The figure of movies in 1970 was 230 and it dropped to 96 merely in 1979. The figure of film viewing audiences was 170,000,000 in 1969 and it dropped to 64,000,000 in 1977.

3.1.4.4. The 2nd dark epoch ( 1980 – 1996 )

After the blackwash of President Park Chung-hee in 1979, Korea still has to wait more clip to come spring clip in Korean films. In 1988, President Roh Tae-woo began the gradual riddance of the authorities censoring of political look in movies. Directors were speedy to get down re-exploring societal and political subjects in their movies. During this period, manufacturer Lee Tae-won made domestic movies merely to acquire an import quotation mark. This import quota system controlled the movies and restricted the managers to bring forth movies that would supplement the authorities. Because the import quota system was controlled by the MPPC ( Motion Picture Promotion Corporation, created in 1973 ) and because the authorities chiefly controlled the MPPC, the authorities fundamentally had all the control to expose whichever movie they want and cut out all the movies that would travel against their positions.

The audience for domestic movies reached a low point, due partially to the gap of the market to movies from abroad, particularly the United States and Hong Kong. By 1993, merely 16 % of the movies seen by South Korean audiences were made domestically. The local movie industry persevered through this thin period.

3.1.4.5. 1997 – Present

From the late 1990s, South Korean film managed to achieve domestic box office success transcending that of Hollywood blockbuster films. From 1997 to show is considered aureate age for Korean movies, and now Korea is being considered an Asiatic movie human dynamo, bring forthing films from assorted genres, non merely for Korean market but besides widely for the remainder of the Asia.

The 1999 movie Shiri about “ a North Korean undercover agent fixing a putsch in Seoul was the first in Korean history to sell more than 2 million tickets in Seoul entirely ” . The film ‘s popularity, coupled with the screen quota, helped Shiri to excel Hollywood package office hits such as Titanic, The Matrix and Star Wars in South Korean theaters. This film ‘s success motivated other Korean movies with big budgets for Korean fortunes.

In 2000 the movie JSA ( Joint Security Area ) successfully surpassed the benchmark set by Shiri. A twelvemonth subsequently, the movie Friend managed every bit good. The romantic comedy “ My Sassy Girl ” outsold The Lord of the Rings by JRR Tolkien and Harry Potter, which ran at the same clip in South Korea. As of 2004, new movies continue to surpass older releases. In South Korea some Korean productions are more popular than Hollywood movies.

Movies such as Shilmido and Taegukgi were watched by over 10 million people per movie, which is a one-fourth of the South Korean population. Shilmido is a movie based on a true narrative about a secret undertaking force in 1970s. The other blockbuster film, Taegukgi, was described about two brothers in the Korean War.

Movies such as Shiri have been distributed in the USA. In 2001, Miramax bought the rights to a remaking of one of the successful Korean action comedy film, “ My Wife is a Gangster ” . Recently, popular Korean films such as Il Mare ( refashion as The Lake House ) , Old Boy, My Sassy Girl, and Joint Security Area have besides been bought by Hollywood houses for remaking every bit good.

The 2003 psychological horror A Tale of Two Sisters was successful every bit good, taking Dreamworks to pay $ 2 million ( US ) for the rights to a remaking, exceeding the $ 1 million ( US ) paid for the Nipponese film The Ring.

3.1.4.6. Festival success

In 2002, Korean movie foremost acquired serious international acknowledgment at the Venice Film Festival, where the movie of “ Oasis ” won the 2nd award award. It ‘s about an stray immature adult female with intellectual paralysis who falls in love with a simple minded adult male who has late completed a term in prison for hitting and running an accident that killed her male parent.

Old Boy came in 2nd topographic point in the Cannes Film Festival, 2nd to Fahrenheit 9/11, and therefore known for another Korean movie to accomplish international acknowledgment. It is about the life of a adult male who is put into lone parturiency by person he does n’t cognize. He had to populate at that place for 15 old ages before he is released and given 5 yearss to detect the ground for his cruel entrapment. Dark and glooming, Old Boy experiments with several psychological lunacy and sexual deformations.

In February 2004, Kim Ki Duk won the award for best manager at the 54th one-year Berlin Film Festival, for a movie about a teenage cocotte, Samaritan Girl. In add-on, he won the Silver Lion award at the Venice Film Festival for his 2004 film, 3-Iron. In 2010, Poetry won the Best Screenplay Award and was selected for the chief competition at the 2010 Cannes Film Festival. In November 2011, the taking actress, Jeong-hee Yoon won the Los Angeles Film Critics Association Award for Best Actress for her public presentation.

3.2. Korean-Wave

Korean films together with Korean play and Korean vocals are doing a new moving ridge in Asiatic states every bit good as the remainder of the universe today. There are three of import day of the months of new Korean-wave films: 1992, “ Marriage Narrative ” was financed by Samsung, taging the first non-government funded movie. 1999, Shiri was released and led to Korean movies taking over 50 % of the local market. Ultimately, “ My Sassy Girl ” became the most popular and exportable Korean movie in history.

4. Movies, as a major portion of civilization industry

Every twenty-four hours we meet films on Televisions every bit good as at theaters. Most of the people from the immature to aged enjoy films.

There are so many genres – action, scientific discipline fiction, escapade, comedy, offense, epic/myth, phantasy, horror, love/romantic ) , societal play, thriller, and so on. A film is non merely a mere amusement, but a portion of our lives. We have unlimited imaginativeness and entree to high engineering. Movies do n’t lodge to palisade any more. It walks in and out of our head. They become portion of our experiences we may ne’er be able to see from abroad.

Figure 1 displays the figure of film viewing audiences from each film. Figure 2 shows the ticket gross on each film.

Figure 1 – Data from Korean Film Council

Rank

English Title

Director

Admissions

Year

1

The Host

Bong Joon-ho

13,019,740

2006

2

The King and the Clown

Lee Jun-ik

12,302,831

2005

3

Taeguki

Kang Je-gyu

11,746,135

2004

4

Tidal Wave

Yoon Je-kyoon

11,397,749

2012

5

The Thiefs

Choi Dong-hun

11,253,480

2012

6

Shilmido

Kang Woo-suk

11,081,000

2003

7

D-War

Shim Hyung-rae

8,426,973

2007

8

Speedy Scandal

Kang Hyeong-cheol

8,280,308

2008

9

Friend

Kwak Kyung-taek

8,134,500

2001

10

Take Off

Kim Yong-hwa

8,092,676

2009

11

Welcome to Dongmakgol

Park Kwang-hyun

8,008,622

2005

12

Arrow: The Ultimate Weapon

Kim Han-min

7,457,634

2011

13

Sunny

Kang Hyeong-cheol

7,366,450

2011

14

May 18

Kim Ji-hoon

7,307,993

2007

15

Tazza: The High Rollers

Choi Dong-hun

6,847,777

2006

16

The Good, the Bad, the Weird

Kim Ji-woon

6,719,000

2008

17

200 Pounds Beauty

Kim Yong-hwa

6,619,498

2006

18

The Man from Nowhere

Lee Jeong-beom

6,226,886

2010

19

Shiri

Kang Je-gyu

6,210,000

1999

20

My Boss, My Teacher

Kim Dong-won

6,105,431

2006

21

Jeon Woo Chi

Choi Dong-hun

6,100,490

2009

22

Joint Security Area

Park Chan-wook

5,830,000

2000

23

Marrying the Mafia II

Jeong Yong-ki

5,635,266

2005

24

Secret Reunion

Jang Hun

5,460,035

2010

25

Punch

Lee Han

5,316,809

2011

26

Memories of Murder

Bong Joon-ho

5,255,376

2003

27

My Wife is a Gangster

Jeong Heung-soon

5,180,900

2001

28

Marathon

Jeong Yoon-chul

5,148,022

2005

29

The Chaser

Na Hong-jin

5,071,619

2008

30

Marrying the Mafia

Jeong Heung-soon

5,021,001

2002

31

My Coach Friend

Kim Kyeong-hyeong

4,937,573

2003

32

My Sassy Girl

Kwak Jae-yong

4,852,845

2001

33

Detective K

Kim Seok-yoon

4,778,512

2011

34

Nameless Gangster

Yoon Jong-bin

4,683,415

2012

35

The Crucible

Hwang Dong-hyeok

4,672,865

2011

36

All About My Wife

Min Gyoo-dong

4,587,489

2012

37

Deranged

Park Jeong-woo

4,496,683

2012

38

Kick the Moon

Kim Sang-jin

4,353,800

2001

39

Public Enemy Returns

Kang Woo-suk

4,337,983

2008

40

Architecture 101

Yong-joo-I

4,106,113

2012

41

Typhoon

Kwak Kyung-taek

4,094,395

2005

42

The Way Home

Lee Jeong-hyang

4,091,000

2002

43

Sexual activity is Zero

Yoon Je-kyoon

4,082,797

2002

44

My Girlfriend is an Agent

Sin Tae-ra

4,078,293

2009

45

Everlastingly the Moment

Yim Soon-rye

4,044,582

2008

46

Dancing Queen

Lee Seok-hoon

4,008,495

2012

47

Another Public Enemy

Kang Woo-suk

3,911,356

2005

48

Hanbando

Kang Woo-suk

3,880,308

2006

49

A Frozen Flower

Yoo Ha

3,772,976

2008

50

Hi, Dharma

Park Cheol-kwan

3,746,000

2001

* 1-2: Domestic gross ( This is a list of box office gross of domestic movies, in South Korean won, in South Korea. )

Title

Genre

Screening hebdomads

Gross

Year

Nameless Gangster Gangster

Film noir

9

36,719,761,210

2012

The Crucible

Play

10

35,564,092,274

2011

Dancing Queen

Love affair, Comedy

7

29,424,263,225

2012

Unbowed

Play

5

24,918,771,501

2012

Quick Contemporary

Action, Comedy

7

22,916,786,835

2011

Spellbound Supernatural

Love affair, Comedy

6

21,823,393,483

2011

The Client Courtroom

Thriller

7

17,794,632,742

2011

A Better Tomorrow Contemporary

Play

6

11,625,641,080

2010

Fantastic Radio

Love affair, Comedy

3

6,635,736,640

2012

You ‘re My Favored

Love affair, Comedy

4

3,767,055,871

2011

5. Decision

Because films are strongly influential to the people, there are negative effects. They may be good and gratifying films. They can, nevertheless, be violent or sexual. They could peculiarly give a bad impact on childs.

Few instances have been found in the USA. One of them was about a immature pupil who shot several people dead. He admitted that he imitated a violent scene he has watched.

The politicians take advantage of films for their political intents. Hitler used films for his Nazi system. The film “ Triumph of the Will ” is an illustration. During the Cold War epoch, there were a batch of films related to the Cold War. One of them was one of the 007 series. Horse opera films were made for the White to warrant their conquest of the continent and forcing off the Indians. Peoples may be biased that the White persons are good and Indians are barbaric or bad through the films. Movies can command our manner of thought, our attitude, visual aspect and our character. As films are a civilization, they can be much effectual than newspaper or magazines.

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