Subjects and Techniques used by Charlie Chaplin
Charlie Chaplin is considered one of the greatest movie managers of all clip ( imdb.com/list ) . Most movie manager are distinguished by the specific manners, subjects, and techniques they use and for Charlie Chaplin, his alone manner is responsible for conveying him into film prominence. Chaplin was born in London in 1889 to Hannah and Charles Chaplin who were hapless. His childhood was characterized with poorness and adversities. He had to go to hapless schools but during this clip he became a performing artist on phase, which subsequently led to his eventual rise in the movie industry. Chaplin started making movies in 1913 while in America but he did non go a movie manager until 1914 with “ Caught in a Cabaret ” in which he besides co-starred. He excelled at doing soundless comedies, which ever left the audiences express joying. Chaplin’s prominence in the movie industry is chiefly attributed to his characteristic subjects, which he used over and over once more and was apparent in all his movies. Subjects such as intermixing poorness and comedy, from shreds to wealths, where the hapless meet the rich, human connexion and society among others were abundant in Chaplin’s movies. It is this intricate and alone design in the subjects, costumes, scenes, and characters that defined Chaplin’s movies and therefore sketching him as a great film maker.
Chaplin’s movies were recognized because of his dramatic manner of intermixing poorness and comedy. Having non had an easy clip in childhood, he used this experience to associate with the audiences through his comedy. On the screen, his outfit was the most noticeable thing. As we can see in many of his movies, his vesture tried to be amusing every bit good as demoing poorness. Some of the best illustrations are costumes that seemed ill-fitted, places that were excessively large, loose-fitting bloomerss, his coat excessively tight and his chapeau excessively little. To the hapless people he seemed hapless, while besides to the rich, he looked like a rich buffoon. Therefore, his films were able to capture both the rich and hapless audiences and at the same clip supplying wit to all. In the 1920s and 1930s, Chaplin’s films ever had characteristic humourous nature that distinguished him. His comedy affecting he do up on his face, the costumes he or his characters wore were ever appealing to people. He succeeded in intermixing poorness with comedy by portraying both rich and hapless people on screen but in a much amusing manner.
Chaplin used techniques such as sight jokes in his movies to capture the audience and besides supply wit. A sight joke is a ocular signifier of comedy. In this signifier of comedy, the histrions rely on the manner the audience perceives the actions on screen for wit ( Horton/cornellcollege.edu ) . Because soundless comedies were common in the 1920s and 1930s, people wanted something new, something fresh that will maintain their head out of problem that they had. Therefore, sight jokes became so popular, because new manner to demo and wake up feeling of felicity in the people every bit good as doing them laugh. Sight jokes became interesting for people and they were accepted truly good. After watching with sight jokes, people would be sharing their feeling with each other. Their positions could be different in because you ne’er know what precisely the histrion is seeking to state. This brings about different perceptual experiences about the full film and raises the audience’s imaginativeness because the film produces changing reactions with different people. Chaplin used this technique to maximal consequence and this made his movies successful.
Another subject that Chaplin used so frequently in his films is the look of “where the hapless meet the rich.” When the hapless meet rich, something must travel incorrect. It is an unwritten regulation, but people believe in that. As we can see in Chaplin’s movies, he put himself as histrion for hapless character. The minute when he meet rich individual, in every of his movies, became existent comedy. In his movies, he put together characters stand foring the hapless every bit good as those stand foring the rich. These characters ever represented a common society job of association between the rich the hapless. By seting together a comedy that involved such characters, he provided a manner to research qualities that could non usually be seen together. Amanda Halperin references that, “In comedies, the upper and lower societal circles mingle much more freely because fortunes and comedic characters crash through the polite societal barriers” ( humorinhistory.com ) . Chaplin was successful in doing characters that can be in same clip hapless with personal appeal for comedy every bit good. This made his movies more attractive for audiences who have to watch that. Peoples accepted this in such a great manner and their reaction pushed Chaplin to maintain utilizing this technique in about every of his movies. Therefore, this technique made Chaplin successful in movie industry.
Chaplin besides used his background to full consequence in his movies. In many of his movies, there was a repeating facet of “Rags to Riches.” This facet can be traced from Chaplin’s hapless childhood and his eventual prosperity in the film industry. By pulling from his ain experience, he was able to make characters and scenes that showed the thought of lifting from shreds to wealths. In many of his movies, Chaplin used metropolis scene and characters, in many instances himself, came from really hapless homes merely to stop up in good luck. For illustration in “City Lights, ” Charlie lived on the streets until he encountered a self-destructive millionaire and became a portion of his life ( Halperin ) . The fact that the “rags to Riches” subject is really appealing to many people in of Chaplin’s clip made his films popular. He ever found a manner to link to the audiences by utilizing subjects that spoke to a broad scope of people. It is widely known that many people love success narratives such as shreds to wealths, which is besides portion of the American dream and therefore Chaplin used this theme really frequently in his films. The fact that he incorporated this subject in comedy was even more effectual in pulling audiences to his films.
Chaplin is widely known for films such as “the gold rush”-1925, “the circus”-1928, “modern times”-1936, “monsieur verdoux”- 1947, “A king in new york”-1957, “The Kid”-1921, “woman of Paris”-1923and many others. In all his movies there was ever a alone facet about them that distinguished them from other films of the clip. From specific subjects to funny costumes and comedic representation of everything, Chaplin’s films ever appealed to people because of the techniques he used. He ever made certain that his films were filled with wit every bit good as message that applied to all audiences of different societal categories. He found a good mix between hapless and the rich and found a manner to stand for everybody in many of his comedies. He besides found balance between moving and directing whereby he performed both efficaciously and this made him particular from other histrions and managers of the clip. Therefore these specific techniques and changeless subjects made Chaplin’s films good and interesting and therefore helped to specify him as a one of the greatest movie shapers every bit good as histrions of all clip.
Hansmeyer, Christian.Charlie Chaplin ‘s Techniques for the Creation of Comic Effect in His Movies. Norderstedt Germany: Druck und Bindung, 1999. Print.
Robinson, David. “ The Challenge of Sound. ”Charlie Chaplin – Official site. N.p. , n.d. Web. 1 Dec 2013. & A ; lt ; hypertext transfer protocol: //www.charliechaplin.com/en/biography/articles/6-Modern-Times & A ; gt ; .
Horton, Andrew. “ Sight Gags and Charlie Chaplin. ”University of California Press. ( 1991 ) . N.p. Web. 1 Dec. 2013. & A ; lt ; hypertext transfer protocol: //www.cornellcollege.edu/classical_studies/lit/sightgags.htm & A ; gt ; .
Winer, Linda. “ ‘Chaplin ‘ and Broadway shows about celebs. ”Newsday[ New York ] 2.5.2012, First n. pag. Print.
Halperin, Amanda. “ Chaplin: The Tragic Comedian. ” humorinhistory.com. N.p. , n.d. Web. 19 Dec 2013.